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Super Casino: Inside the "New" Las Vegas

Super Casino: Inside the New Las Vegas

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Author: Pete Earley
Publisher: Bantam
Category: Book

List Price: $7.99
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Rating: 4.0 out of 5 stars 44 reviews
Sales Rank: 382535

Media: Mass Market Paperback
Pages: 512
Number Of Items: 1
Shipping Weight (lbs): 0.6
Dimensions (in): 6.9 x 4.2 x 1.2

ISBN: 0553573497
Dewey Decimal Number: 979.3135
EAN: 9780553573497
ASIN: 0553573497

Publication Date: January 2, 2001
Availability: Usually ships in 1-2 business days
Shipping: Expedited shipping available
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Also Available In:

  • Hardcover - Super Casino: Inside the "New" Las Vegas

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Editorial Reviews:

Amazon.com Review
Former Washington Post reporter Pete Earley, whose several books include a study of Leavenworth Prison, turns his meticulous journalistic eye on yet another notorious venue: Las Vegas. Don't expect him to unearth a spate of scandalous doings, though: Sin City isn't quite what it used to be. "Howard Hughes is now only a historical footnote," Earley writes. "Liberace's trademark candelabra sits in a museum. Elvis has been gone so long that tourists often think his impersonators look more like the King than he did. The old Las Vegas is dead."

The new Vegas, however, is very much alive. In two years of visits, with particular access to the Egyptian-themed Luxor Hotel, Earley gathers a comprehensive history of the city's "gaming" industry, including the biographies of such important figures as the Bellagio's Steve Wynn. He also takes a firsthand look into the lives of several Vegas residents and regulars. The book's chapters, often dense with historical fact, are neatly interrupted by fascinating first-person accounts: an old-time dealer talks about being threatened by Frank Sinatra, a hotel manager at a casino gets chewed out by her boss for renting out a $5,000 room to movie stars, and a cab driver talks about falling out of love with this high-rolling town, though he still tries to get his cut of the money. "The money," he says. "There is so much of it in this town that you learn to close your eyes. I hate it but I can't walk away. Who can?" Perhaps the readers of Super Casino will be able to restrain themselves after they read Earley's explanation of how clearly casino odds are stacked against them. --Maria Dolan

Product Description
In this lively and probing book, award-winning author Pete Earley traces the extraordinary evolution of Las Vegas -- from the gaudy Mecca of the Rat Pack era to one of the country's top family vacation spots. He revisits the city's checkered history of moguls, mobsters, and entertainers, reveals the real stories of well-known power brokers like Steve Wynn and legends like Howard Hughes and Bugsy Siegel, and offers a fascinating portrait of the life, death, and fantastic rebirth of the Las Vegas Strip.

Earley also documents the gripping tale of the entrepreneurs behind the rise and fall and rise again of one of the largest gaming corporations in the nation, Circus Circus -- to which he was given unique access. In his trademark you-are-there style, he takes us behind the scenes to meet the blackjack dealers and hookers, the heavy hitters and bit players, the security officers, cabbies, and showgirls who are caught up in the mercurial pace that pulses at the heart of this astounding city.



Customer Reviews:   Read 39 more reviews...

2 out of 5 stars Super Casino is not so super   July 30, 2008
Steven Emrick (Springfield, IL)
0 out of 1 found this review helpful

No, Super Casino is not super. It is very interesting at times, but suffers from being badly disjointed. It roughly tells the story of Circus Circus, and its eventual growth into a huge corporation that owns all kinds of casinos throughout the country. The first 150 pages or so is a history of Las Vegas with an emphasis on Caesars Palace, Circus Circus, Mirage, and Excalibur. The remainder of the book documents a sort of "year in the life of" the Luxor from the late Nineties.

Neither part is all that fascinating. The fact of the matter is that the "New" Las Vegas isn't all that exciting unless you enjoy reading about how these companies can never quite squeeze enough profit from the tourists. Gotta please those shareholders! I guess the author was getting bored as well. In the portion dealing with the Luxor, the author dedicated quite a bit of space to talk about hookers, high rollers, and casino cheats. That doesn't sound like "New" Vegas to me! Even these passages weren't that interesting, because he went right back to talking about corporate management.

I can't recommend this book. There are tons of books on Vegas out there. I am sure there are better options than this.



3 out of 5 stars Some good insights   August 4, 2006
David G. Schwartz (Las Vegas, Nevada)
5 out of 5 found this review helpful

Las Vegas and the gaming industry have caused more trees to be needlessly sacrificed than any topic in popular culture with the possible exception of professional wrestling. This is not to say that there is nothing of interest to say about either subject; on the contrary, both are thriving industries whose practices and appeal tell the sensitive observer a great deal about American culture. But most authors seem content to ply their readers with commonplace facts ("there are three shifts in the casino-day, swing and grave"), "inside" vocabulary ("a 'whale' is casino jargon for a heavy better"), and recycled publicity hype ("more Americans visit the Strip than Walt Disney World"). While all of these "facts" may be true, they don't really explain anything about why Las Vegas is so popular. Pete Earley's Super Casino: Inside the "New" Las Vegas is an "inside" history of Mandalay Resorts merged with a first-hand account of a "super casino," mostly gotten from the author's hanging out in Luxor. Earley would seem to be overly impressed with the "new" Strip megaresorts of the 1990s as he reports that these were the first casinos marketed as complete destination resorts. In fact, that is how Strip casinos have sold themselves since Thomas Hull's El Rancho Vegas opened in 1941. This "new" paradigm isn't so new; it just grafts huge hotel towers and shopping malls onto the tested casino resort concept: casino, entertainment, restaurants, and rooms. The more intense theming of the casinos of the 1990s actually has more to do with trends in American commercial culture than Vegas innovations, and the larger hotels are a result of Las Vegas's successful promotion as a vacation and convention destination. Earley implies these explanations, but does little more to explain why the "new" Las Vegas is new.

The book's structure is somewhat conflicted; a reasonably straight telling of the development of Circus Circus resorts from Jay Sarno to Mandalay Bay is followed by a seemingly random series of chapters detailing the jobs of selected casino personnel. Thrown into the mix are small vignettes from casino patrons and employees that are often complete non-sequiturs. For comparison, think of When Harry Met Sally. In the place of couples reminiscing about how they fell in love, substitute lurid tales of the pleasures of sunbathing topless in Las Vegas, interminable contrasts to the "good old days" of goodfella imperium, and random tales of personal bliss and woe at the hand of the cruel goddess Fortuna. Some of the stories are interesting, but they really have nothing to do with anything else. If they are meant to capture the pulse of the "real" Las Vegas, they seem a rather poor representative sample; much more interesting stories are in the air even on slow nights. If they are meant to flesh out the goings on in the Luxor, they simply don't.

Earley is on his strongest ground when describing the inner politics of the Circus Circus/Mandalay Resorts company. He translated his astute observations of the corporate boardroom into genuinely interesting prose. The story of how William Bennett and William Pennington rescued the Sarno's ailing Circus Circus by transforming it into the K Mart of the Strip contrasts nicely with Clyde Turner, Glenn Schaeffer, and others' baccaratization of Luxor, Circus's first foray into an upscale market. With the opening of Mandalay Bay and Circus Circus's rebirth as the Mandalay Resort Group, briefly covered at the book's end, the company had come full circle. As early relates, this was just as much a function of the clashing personalities of the men at the helm of Circus/Mandalay as it was the result of a deliberately studied marketing approach. In this regard, Earley provides a truly interesting look at how a large casino company actually runs.

But Earley fails to look past the hype. His consideration of actual casino operations is hopelessly uncritical. For example, he writes with admiration about the Luxor's "sophisticated" security systems without really looking at them; because the Director and a few chosen shift managers told Earley the Luxor was the state of the art in surveillance and security, the author dutifully accepted this as fact. The illusion of omnipresent, devouring surveillance and ubiquitous control is precisely that, an illusion. Earley doesn't question the logistics of how a security "force" of fifteen men and women, five of whom have assigned sitting posts, can maintain order in a crowded casino and hotel (p.236). He catches echoes of line employee's despair at Luxor boss Tony Alamo's insistence on improved service in the face of slashed costs, but doesn't really consider whether these are valid criticisms or sour grapes.

Earley disappoints most strenuously, though, in his glimpses of the "real" Las Vegas. There are the myriad high rollers, casual gamblers, and compulsive addicts, and of course the de rigueur look at the two most fetishized females in Las Vegas past and present, the showgirl and the prostitute. Even though Earley carefully apprises the reader of the hard work needed to become a successful showgirl, his parallel consideration of the two "career paths" tends to degrade the dancer's life. Besides a new security shift manager who is given a brief treatment, these are the two most consistently prominent women in the book. Is that a commentary on the glass ceiling in the casino industry or an author's lazy contentment to recycle stereotypical considerations of women in the casino? Given the success of women in rising to top management positions in several casino companies, the latter is the more obvious choice.

"Inside" books on Las Vegas by journalists (Earley is a former Washington Poster with several acclaimed books to his credit) generally follow the same pattern: the author is a Dante whose glimpse of the Inferno is only as good as his Virgil. For example, when a former law enforcement agent is the guide the author usually wanders onto avenues of speculation about who "really" rules Las Vegas and where all the bodies are buried. In this case, Earley apparently had Glenn Schaeffer and Tony Alamo as his primary handlers. The result is excellent material on the culture of Mandalay Resort Group's boardroom and the Luxor's management team. But the specious quality of Earley's less structured research, e.g., his discussions of the lowlifes and high rollers that call Las Vegas home or haven unfortunately slides this book precipitously close to the pile of bad books about Las Vegas. In addition, there are a few factual errors, such as the inexplicable statement that "Bally's no longer exists," at the corner of Flamingo and the Strip (p.126) or the reportage of Asian high rollers' predilection for a novel dice game called "pia gow," that might have been caught by a seasoned industry observer, or at least someone who has spent a day on the Strip and leafed through a promotional guide to playing pai gow tiles and other games.



3 out of 5 stars Viva Las Casinos   July 13, 2006
MIKE!! (NYC)
2 out of 2 found this review helpful

If you don't love the sound of solt machines and the rush you get from doubling-down, than you may want to skip this read. Super Casino is an account of how the sleepy, small town of Las Vegas, NV transformed into one of the most powerful cities in the world. There were a lot of an interesting facts and some great history that you might already know if you watch any of those Vegas specials on The Travel Channel. But the writer does a good job of making it fun to read, including an account of a closed-door meeting of one of the biggest casino corporations on the planet. Fun read for anyone who likes to gamble at a casino.

[...]



5 out of 5 stars The Best book on the History of Vegas   June 22, 2006
SRTampa (Tampa)
2 out of 2 found this review helpful

This is the best book written about Las Vegas. it includes the early history, all the major players in the development of the city and a real inside look into the mystery and wonderment of the casino business. You will never see Las Vegas the same after reading this book


5 out of 5 stars How come noone recommended me this book !!??   October 9, 2005
Ludmila Olga Bondarenco (Las Vegas, NV USA)
3 out of 3 found this review helpful

....surprise ! I could only find the paperback edition (while stealing a deal !). It is the best book (of too many written) about what's really happening behind-the-scenes in the casino life -- L.V. style. Not only that I strongly recommend it to those who go and play, and waste, while "dreaming" of an instant win, but now I will read more from Pete Earley : his style is terrific. I think he can lead - successfully - a cultural, social or psychological revolution. In case Americans would want one, naturally !

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